There were circuses also in Connecticut. "Mr. Pool The first American Equestrian has erected a Menage at considerable Expence with seats Convenient. Mr. Pool beseeches the Ladies and Gentlemen who honour him with their Presence to bring no Dogs with them." As late as 1828 a bill prohibiting circus exhibitions passed both houses of the Connecticut Legislature, but was all in vain, for that State became the home of circuses and circus-makers.

During the seventeenth century and the first half of the eighteenth century there was little in New England that could properly receive the name of music. Musical instruments and books of musical instruction were rare. I have told the deplorable condition of church music in "The Sabbath in Puritan New England." A feeling of revolt rose in ministers and congregation. In 1712 Rev. Mr. Tuft's music-book appeared. The first organ came to Boston about 1711. The first concert of which I have read was advertised thus in the New England Weekly Journal of December 15, 1732:

In 1744 a concert was given in Faneuil Hall for the benefit of the poor, and after 1760 concerts were frequent. The universal time for beginning wit; six o'clock, and the highest price of admission half a dollar, until after 1790.

Singing-schools, too, were formed, and the bands of trained singers gave concerts. The story of the progress of New England concert-giving has been most fully given by Henry M. Brooks, esq., in his delightful book, "Olden Time Music."

Lectures on pneumatics, electricity, and philosophy were given in Boston as early as 1740, and soon acquired a popularity which they have retained to the present day.

A very doubtful form of diversion was furnished to New Englanders at the public expense and in the performance of public duties. Not only were offenders whipped, set in the stocks, bilboes, cage, or pillory on Lecture-day, but criminals were hung with much parade before the eyes of the people, as a visible token of the punishment of evil living. In all the civil and religious exercises previous to the execution of the sentence, publicity was given to the offender; petty and great malefactors were preached at when sentenced, and after condemnation were made public examples--were brought into church and made the subject of discourse and even of objurgation from the pulpit. Judge Sewall frequently refers to this meretricious custom. Under date March 11, 1685, he says: "Persons crowd much into the old Meeting House by reason of James Morgan (who was a condemned murderer) and a very exciting and riotous scene took place." This was at a Thursday lecture, and in the gloomy winter twilight of the