Mr Quelch—Will depict a fool who wishes to become a knave, and trusting to one, gets killed by one. Such is the friendship of rogues. Take heed!

Mrs Morris—Will represent a young and virtuous wife, who, being wrongfully suspected, gets smothered (in an Adjoining room) by her husband.

Mrs Douglass—Will be her faithful attendant, who will hold out a good example to all servants, male and female, and to all people in subjection.

Various other Dialogues, too numerous to mention here, will be delivered at night, all adapted to the improvement of the mind and manners. The whole will be repeated on Wednesday and on Saturday. Tickets, six shillings each; to be had within. Commencement at 7. Conclusion at half past 10; in order that every spectator may go home at a sober hour, and reflect upon what he has seen, before he retires to rest.

The Continental Congress of 1774 sought to pledge the colonists to discountenance "all exhibitions of shows, plays, and other expensive diversions and entertainments," and such exhibitions languished naturally in war times; but with peace came new life to shows and theatres.

We catch a glimpse at Hartford of the "New Theatre" in 1795. The play began at half after six. Following the English fashion, servants were sent in advance to keep seats for their masters and mistresses. They were instructed to be there "by Five at the Farthest." If ladies "chused to sit in the Pit" a place was partitioned off for them. The admission price was a dollar. There was variety in the entertainment furnished. One actor gave a character recitation entitled "The New Bow Wow." In this he played the "Sly Dog, the Sulky Dog, the Hearty Dog, and many other dogs in his character of Odd Dog."

In 1788 the "Junior Sophister Class" of Yale College gave a theatrical performance, during Election week, of "Tancred and Sigismunda," and followed it with a farce of the students' own composing, relating to events in the Revolutionary War. A letter of Rev. Andrew Eliot is still in existence referring to this presentation, and severely did he reprehend it. Of the farce he wrote, "To keep up the character of these Generals, especially Prescot, they were obliged (I believe not to their sorrow) to indulge in very indecent and profane language." He states that many in the audience were much offended thereat, and says: "What adds to the illegality is that the actors not only were dressed agreeable to the characters they assumed as Men, but female apparell and ornaments were put on some contrary to an express statute. Besides it cost the lads £60." What this reverend complainer would have thought of the multitudinous exhibitions of masculine collegiate skirt-dancing of the present day is impossible to fathom.